Walter Murch - 'The English Patient': The complicated switch from film to digital (169/320) Published 2017-09-08 Download video MP4 360p Recommendations 23:45 Meet the composer: Gabriel Yared on scoring The English Patient 06:12 How to Use Walter Murch's Eye Trace to "Direct the Eye" with Cinematic Editing #filmeditingtechnique 01:42 The English Patient | ‘So Few Adjectives’ (HD) - Colin Firth, Ralph Fiennes | MIRAMAX 07:04 Walter Murch: On Editing 03:31 Walter Murch - 'The English Patient': Close to miscasting (167/320) 51:15 Timothy Snyder: The Making of Modern Ukraine. Class 6: The Grand Duchy of Lithuania 03:05 Walter Murch - A practical approach to the six rules of film editing (294/320) 08:57 Scratching the surface at Madresfield Court 02:51 "The English Patient" winning the Oscar® for Film Editing 1:51:52 Leonard Cohen Greatest Hits Full Album - The Best Of Leonard Cohen Collection 2018 35:57 How philosophy got lost | Slavoj Žižek interview 27:39 The English Patient: Author Michael Ondaatje and Director Anthony Minghella interview (1996) 02:04 Walter Murch - Never cut on the blink! (71/320) 48:39 Timothy Snyder: The Making of Modern Ukraine. Class 4: Before Europe 05:02 Claudia Roden - Work with a photographer (50/155) 01:52 The English Patient | 'Are You German?' (HD) - Ralph Fiennes, Juliette Binoche | MIRAMAX 58:47 4. Foundations: Skinner 1:15:08 Professor Slavoj Žižek | Full Address and Q&A | Oxford Union 03:40 Walter Murch - 'The English Patient': The first steps in digital editing (170/320) 1:23:38 What is Eurasia? - Stephen Kotkin Similar videos 05:29 Walter Murch - 'The English Patient': The interrogation scene (176/320) 05:26 Walter Murch - 'The Conversation': Restructuring the story (60/320) 02:00 Walter Murch - Digital editing favours close-ups (171/320) 02:19 Walter Murch - The perfect age is 10 (13/320) 03:21 Walter Murch - Who has final cut on the film? The projectionist! (108/320) 03:36 Walter Murch - The 'diet and exercise' reduction of the film length (172/320) 02:19 Walter Murch - The quality of sound can tell a story (191/320) 02:40 Walter Murch - The democratisation of on-the-spot recording (152/320) 04:15 Walter Murch - The advantages of long assemblies (199/320) 03:27 Walter Murch - 'Unbearable Lightness of Being': The 'Zelig' approach vs. intercutting (153/320) 05:19 Walter Murch - The editor's early involvement in the film-making process (201/320) 02:24 Walter Murch - 'Touch of Evil': Ten pages of script in one shot (190/320) 02:01 Walter Murch - 'Unbearable Lightness of Being' – my next project (151/320) 02:56 Walter Murch - The application of Negative Twenty Questions in film (79/320) 01:19 Walter Murch - Robert De Niro in disguise (166/320) 04:40 Walter Murch - Charismatic Jude Law unbalances the film (193/320) 06:19 Walter Murch - 'A bomb is a bomb': Reductions can improve the structure of a film (174/320) More results